The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Keelan O'Hehir

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Keelan O'Hehir

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Keelan O'Hehir

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Keelan O'Hehir

  The Flower it Gleams   (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Photography by Louis Lim

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Louis Lim

  Of Earth and Ether , (installation view) 2023. Photography by Andrew Curtis

Of Earth and Ether, (installation view) 2023. Photography by Andrew Curtis

  A collective truth and illusion (Vessels for emotional holding) , series, (installation view) 2021-2023. Photography by Andrew Curtis

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

  A collective truth and illusion (Vessels for emotional holding) , series, (installation view) 2021-2023. Photography by Andrew Curtis

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

  Containing all wounds and wishes, tears traverse, (all come from the same well),  2023. Photography by Andrew Curtis

Containing all wounds and wishes, tears traverse, (all come from the same well), 2023. Photography by Andrew Curtis

  A collective truth and illusion (Vessels for emotional holding),  series , (installation view)  2021-2023. Photography by Andrew Curtis

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

  Containing all wounds and wishes, tears traverse, (all come from the same well),  2023. Photography by Keelan O'Hehir

Containing all wounds and wishes, tears traverse, (all come from the same well), 2023. Photography by Keelan O'Hehir

  A vessel for my worry and fears,  2022. Photography by Andrew Curtis

A vessel for my worry and fears, 2022. Photography by Andrew Curtis

  Shadow Box (you know exactly what I am) , 2022. Photography by Andrew Curtis

Shadow Box (you know exactly what I am), 2022. Photography by Andrew Curtis

  Shadow Box (you know exactly what I am),  2022. Photography by Keelan O'Hehir

Shadow Box (you know exactly what I am), 2022.
Photography by Keelan O'Hehir

  A collective truth and illusion (Vessels for emotional holding), series, (installation view)  2021-2023. Photography by Andrew Curtis

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

  A collective truth and illusion (Vessels for emotional holding), series, (installation view)  2021-2023. Photography by Andrew Curtis

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

  A vessel to hold me, a vessel to set me free, (Self Urn),  2023. Photography by Keelan O'Hehir

A vessel to hold me, a vessel to set me free, (Self Urn), 2023. Photography by Keelan O'Hehir

  A vessel to hold me, a vessel to set me free, (Self Urn),  2023. Photography by Keelan O'Hehir

A vessel to hold me, a vessel to set me free, (Self Urn), 2023.
Photography by Keelan O'Hehir

  Make a promise, make a wish, (hopes and dreams),  2022. Photography by Keelan O'Hehir

Make a promise, make a wish, (hopes and dreams), 2022. Photography by Keelan O'Hehir

  Make a promise, make a wish, (hopes and dreams),  2022. Photography by Andrew Curtis

Make a promise, make a wish, (hopes and dreams), 2022. Photography by Andrew Curtis

  The hollow, leaking, jam doughnut (fantasies of the ego),  2023. Photography by Andrew Curtis

The hollow, leaking, jam doughnut (fantasies of the ego), 2023. Photography by Andrew Curtis

Louise Meuwissen_The Flower it Gleams_2023_photo by Keelan O'Hehir.jpg
 The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (installation view), 2023. Photography by Keelan O’Hehir

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (installation view), 2023. Photography by Keelan O’Hehir

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

 𝘛𝘩𝘦 𝘧𝘭𝘰𝘸𝘦𝘳 𝘪𝘵 𝘨𝘭𝘦𝘢𝘮𝘴 (after Jim Hodges and Hildegard Von Bingen) (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse,

𝘛𝘩𝘦 𝘧𝘭𝘰𝘸𝘦𝘳 𝘪𝘵 𝘨𝘭𝘦𝘢𝘮𝘴 (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Louis Lim

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Andrew Curtis

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Andrew Curtis

 Catalogue Essay by Anna Dunnill, 2023.  Read or download here

Catalogue Essay by Anna Dunnill, 2023. Read or download here

 Catalogue Essay by Anna Dunnill, 2023.  Read or download here

Catalogue Essay by Anna Dunnill, 2023. Read or download here

  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt
  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt
  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Keelan O'Hehir
  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Keelan O'Hehir
  The Flower it Gleams   (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Photography by Louis Lim
  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Louis Lim
  Of Earth and Ether , (installation view) 2023. Photography by Andrew Curtis
  A collective truth and illusion (Vessels for emotional holding) , series, (installation view) 2021-2023. Photography by Andrew Curtis
  A collective truth and illusion (Vessels for emotional holding) , series, (installation view) 2021-2023. Photography by Andrew Curtis
  Containing all wounds and wishes, tears traverse, (all come from the same well),  2023. Photography by Andrew Curtis
  A collective truth and illusion (Vessels for emotional holding),  series , (installation view)  2021-2023. Photography by Andrew Curtis
  Containing all wounds and wishes, tears traverse, (all come from the same well),  2023. Photography by Keelan O'Hehir
  A vessel for my worry and fears,  2022. Photography by Andrew Curtis
  Shadow Box (you know exactly what I am) , 2022. Photography by Andrew Curtis
  Shadow Box (you know exactly what I am),  2022. Photography by Keelan O'Hehir
  A collective truth and illusion (Vessels for emotional holding), series, (installation view)  2021-2023. Photography by Andrew Curtis
  A collective truth and illusion (Vessels for emotional holding), series, (installation view)  2021-2023. Photography by Andrew Curtis
  A vessel to hold me, a vessel to set me free, (Self Urn),  2023. Photography by Keelan O'Hehir
  A vessel to hold me, a vessel to set me free, (Self Urn),  2023. Photography by Keelan O'Hehir
  Make a promise, make a wish, (hopes and dreams),  2022. Photography by Keelan O'Hehir
  Make a promise, make a wish, (hopes and dreams),  2022. Photography by Andrew Curtis
  The hollow, leaking, jam doughnut (fantasies of the ego),  2023. Photography by Andrew Curtis
Louise Meuwissen_The Flower it Gleams_2023_photo by Keelan O'Hehir.jpg
 The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (installation view), 2023. Photography by Keelan O’Hehir
  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt
  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt
  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matt
 𝘛𝘩𝘦 𝘧𝘭𝘰𝘸𝘦𝘳 𝘪𝘵 𝘨𝘭𝘦𝘢𝘮𝘴 (after Jim Hodges and Hildegard Von Bingen) (detail), 2023 Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse,
  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Louis Lim
  The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen)  (detail), 2023. Photography by Andrew Curtis
 Catalogue Essay by Anna Dunnill, 2023.  Read or download here
 Catalogue Essay by Anna Dunnill, 2023.  Read or download here

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Keelan O'Hehir

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Keelan O'Hehir

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Louis Lim

Of Earth and Ether, (installation view) 2023. Photography by Andrew Curtis

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

Containing all wounds and wishes, tears traverse, (all come from the same well), 2023. Photography by Andrew Curtis

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

Containing all wounds and wishes, tears traverse, (all come from the same well), 2023. Photography by Keelan O'Hehir

A vessel for my worry and fears, 2022. Photography by Andrew Curtis

Shadow Box (you know exactly what I am), 2022. Photography by Andrew Curtis

Shadow Box (you know exactly what I am), 2022.
Photography by Keelan O'Hehir

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

A collective truth and illusion (Vessels for emotional holding), series, (installation view) 2021-2023. Photography by Andrew Curtis

A vessel to hold me, a vessel to set me free, (Self Urn), 2023. Photography by Keelan O'Hehir

A vessel to hold me, a vessel to set me free, (Self Urn), 2023.
Photography by Keelan O'Hehir

Make a promise, make a wish, (hopes and dreams), 2022. Photography by Keelan O'Hehir

Make a promise, make a wish, (hopes and dreams), 2022. Photography by Andrew Curtis

The hollow, leaking, jam doughnut (fantasies of the ego), 2023. Photography by Andrew Curtis

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (installation view), 2023. Photography by Keelan O’Hehir

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

𝘛𝘩𝘦 𝘧𝘭𝘰𝘸𝘦𝘳 𝘪𝘵 𝘨𝘭𝘦𝘢𝘮𝘴 (after Jim Hodges and Hildegard Von Bingen) (detail), 2023
Found artificial flowers c. 1930-present (polyester, acetate, silk), polyester thread, viscose thread, c.1950s rayon fabric formerly from Job Warehouse, gifted by Matthew Crossley of OHM Architecture. 600cm x 350cm. Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Louis Lim

The Flower it Gleams (after Jim Hodges and Hildegard Von Bingen) (detail), 2023. Photography by Andrew Curtis

Catalogue Essay by Anna Dunnill, 2023. Read or download here

Catalogue Essay by Anna Dunnill, 2023. Read or download here

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